Should be sixpenny everywhere when, whether do you still have courage to look up at Xiang Yueliang?
当遍地都是六便士时，你是否还有勇气抬头望向月亮？
More than 100 years ago, oscar · Wang Erde writes down such word, I do not think “ fend, I think life ” , this, can use wraparound " moon and sixpenny " this novel. A family is perfect, the person of negotiable securities economy with successful career, everything abandoned between one night, far take a place far away form home, went to Paris from London. Successors just know he is to go there picture, endured a series of cross, falling to the boredom of civilized world, he comes south a beautiful islands in Pacific Ocean, insular. Be in mortal before, he is being taken proud with assuming set fire to the …… of a classic that oneself create
一百多年前，奥斯卡·王尔德写下这样的话，“我不想谋生，我想生活”，这，就可以用来概括《月亮与六便士》这部小说。一个家庭美满，事业成功的证券经济人，一夜之间抛弃了一切，远走他乡，从伦敦去了巴黎。后来人们才知道他是去那里画画，经受了一系列的磨难，在对文明世界的厌倦下，他来到南太平洋中的一座美丽岛屿，与世隔绝。在临终前，他带着傲慢和不逊纵火烧了自己创作的一幅杰作……
In this novel, wool Mu depict a lot of character, it is for ideal bend at the same time its all, assiduous Sitelikelan, doctor of Abe catalpa rarely, captain of cloth Lv Nuo; It is Mrs. Sitelikelan that adores vanity at the same time, mrs. Kutelasi, doctor Kamaikeer, still have the Siteluofu of enthusiastic honesty, betray the Blanche of love, covet is small Liqueyi Bao Yuntian's Nikeersi captain, the Diarui that Le Shanhao applies, glib Kutelasi, the novel of A tower …… of simple goodness uses the first person to write, the clip that place arrange in order is discussed, tirelessly path comes, also have a lot of introspection to ego, comprehend fine to life much. The story of such numerous and complicated, complete by " my " does sewing work, can say “ my ” is another leading role of this novel.
在这部小说中，毛姆描写了诸多人物，一边是为理想而倾其所有的，孜孜不倦的斯特里克兰，亚伯梓罕医生，布吕诺船长；一边是爱慕虚荣的斯特里克兰夫人，库特拉斯夫人，卡迈克尔医生，还有热心诚实的斯特洛夫，背叛爱情的布兰奇，贪图小利却义薄云天的尼克尔斯船长，乐善好施的蒂阿瑞，能说会道的库特拉斯，纯朴善良的阿塔……小说采用第一人称来写，夹叙夹议，娓娓道来，对自我也有很多反省，对人生感悟良多。如此纷繁的故事，全凭"我"来穿针引线，可以说“我”是这部小说的又一个主角。
Before understanding Sitelikelan, you must understand tall more, even if look tall more, 35 years old resolutely resigned a job of the jobber, absorption be dedicated to a composition at brushwork; Was worth 1891 1893, and came 1895 1901, gao Gengceng heads for a tower to hope to carry an island for two times, live for a long time and undertake creating. These had a few similar place with Sitelikelan's destiny. Can say: Ideal and reality, great with humbleness, divine with Fan Su, no matter be in,Sitelikelan still is tall more go up, be not 2 dimension to oppose. What Sitelikelan contains real life namely is humble with inhospitality, also having the transcendental volition that nobody can reach and pursuit. This namely " from where do we come? Tall more make) who are we? We go where " core spirit.
了解斯特里克兰前，你必须了解高更，纵看高更，三十五岁毅然辞去了个股票经纪人的工作，专心致力作文于绘画；一八九一年值一八九三年，以及一八九五年至一九零一年，高更曾两度前往塔希提岛，长期居住并进行创作。这些都与斯特里克兰的命运有了几份相似之处。可以说：理想与现实，崇高与卑贱，神圣与凡俗，无论在斯特里克兰还是高更上，都并非二次元对立。斯特里克兰即带有现实生活的粗鄙和冷漠，也有着无人能及的超凡意志和追求。这也就是《我们从哪里来？高更作）我们是谁？我们到哪里去》的核心精神。
From where do we come? Who are we? Where do we go? This is culminating soul examines minutely. This picture such abstruse and shake, and in the novel, it finished the mental sex of the hero to examine minutely, finally by commit to the flames, what alluding? The mental sex that becomes the mankind arrived at oneself, and exist for this each body, need the thing of any corporeal sexes no longer, even if be so called artistic classic. This is the aspirations of artistic creation: Completed the greatest work when you, it leaves you and go, because of art highest appeal to beg be not any substance, however the indicative …… commit to the flames of the Nie huge rock of the spirit that that Yao cannot reach is Nie huge rock is indicative. And tall more photograph comparing, of Sitelikelan die and the destruction of his classic more appear shock popular feeling, this is the brillant place of the novel.
我们从哪里来？我们是谁？我们到哪里去？这是终极的灵魂追问。这幅画如此的深邃而震撼，而在小说中，它完成了主人公的精神性追问，最后被付之一炬，暗示着什么？当人类的精神性抵达了自身，并且为了这个自身而存在，不再需要任何物质性的东西，哪怕是所谓的艺术杰作。这正是艺术创作的心声：当你完成了最伟大的作品，它便离你而去，因为艺术的最高诉求并非任何实体，而是那遥不可及的精神的涅磐的象征……付之一炬正是涅磐的象征。和高更相比，斯特里克兰的死和他的杰作的毁灭更显得震撼人心，这正是小说的高明之处。
Scan widely looks, full ground is sixpenny, ground of people strive to be the first is contended for grabbing. Only Sitelikelan, fleer hind, look at the …… of round of bright moon to the middle of his heart
放眼望去，满地都是六便士，人们争先恐后地争抢着。唯斯特里克兰，冷嘲热讽了一阵后，望向他心中的一轮明月……(文/翟笑晨)